I always hold my breath when I put the first color on a nanoscape, and I always reach for a red. As an enthusiastic collector of colors, I have a lot from which to choose. While I am partial to Daniel Smith's reds, I also have Winsor Newton and Sennelier reds. I also love to mix colors on the palette, so the dozen or so red tube colors slide toward orange, purples or yellows, mix with Daniel Smith Pearlesent White and more.
In Fractured Glass 2, I worked from left to right, color by color. At this early stage, you can see red, green and Holbein Lavender