This should look just the first step of Fractured Glass 2 because it is. I pick up a paintbrush after the pencil lines are in place, and set the design with Winsor Newton Davy's Gray, a very light gray watercolor.
In the earliest nanoscapes, I used Winsor Newton Sepia, which has a darker character and is staining (a painter's word for either delightfully or annoyingly permanent) or Daniel Smith Sepia, which is unabashedly brown. I also experimented with Daniel Smith Payne's Gray, which was too dark for the nanoscapes' framework.
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