Taking a Break with Two Palm Trees

As I gear up to start a big painting of an as-yet-unknown subject, and continue to work on the (now) 50 Wild Parrots of Saint Paul Project, I took a break on Saturday to paint two tiny (5x5) palm tree paintings.

Palm Tree One (2013. 5x5 inches. $30)

Up North #3 (2008. Not for sale)

Although they reference some of my earliest nanoscapes' landscapes, I made these to play with granulation to give the sand under the palms some texture with paint, and to practice the traditional wet-in-wet watercolor technique in the leaves and sky.

Wet-in-wet is exactly what it sounds like: wet paint dropped onto wet paper. 

I made controlled puddles, and then dropped in a color or colors that I manipulated ever so slightly. Too much manipulation makes dull, muddled color. 

To purchase either of these paintings, please send direct email to susangainen@comcast.net and I will bill you through PayPal.  Thank you.

Palm Tree Two (2013. 5x5 inches. $30)

 

Stars to Wish On

Little Star

All the Colors and Paths 1

Creative Consistency

When asked whether I planned the color placement in All The Colors and Paths #1, now hanging in Altered Aesthetics "Straight Trippin'" exhibition in Minneapolis, I explained that my choices are completely random. The only rule is that like colors cannot "touch."

 

From One Little Star

Making the Stars to Wish On images was a similarly random act. I scanned the Little Star and created a template called Nine Stars. Then I made copies, using some of my favorite Photoshop settings (vibrance, hue/saturation, color balance, invert, posterize, and photo filter) without keeping track of anything. If I liked a result, I saved it. I discarded lots of images because they just didn't work. These are my favorites. 



Blue Stars to Wish On

Red Stars to Wish On



Neon Green Stars to Wish On

Bright Yellow Stars to Wish On

Harvest Stars to Wish On

Turquoise Stars to Wish On

Purple Stars to Wish on

Orange Stars to Wish On

Green Stars to Wish On



















Some of these designs are available on cool products at zazzle.comhttp://www.zazzle.com/susangainen/9+stars+gifts.































Musings on liking your own work

All the Colors & Paths #1, at Altered Aesthetics'
Straight Trippin' Juried Show
February 28-March 28, 2013

If you don't like your own work, how can you: 

1.  expect anyone else to like it -- ever; 
2.  get pleasure out of its creation; 
3.  want to do anything other than use it for kindling. 

Will you love every piece?

Don't expect to love every piece. Because making art is a journey, there will probably be some odd turns or dead ends:

1. You win inevitably make an awkward and damaging splash or drop the brush or do something that in the cold light of day makes you cringe. Learn from it, and enjoy the pleasure of making art. Forgive your child or your cat if one or both might be the culprit
2. When you get a new paintbrush or color or other piece of equipment, your first experiments might be happy accidents that you love (and sell), noodlings that you will use as reference material, or something to  recycle by painting on the back.
3. Not that this would happen to you, but in my earnest determination to get back to painting after being ill, I put a lot of brown paint in a place where, on reflection, it does not belong. Whether I can bring this painting back to where I hoped it would be, turn it into something entirely new, or trash it, is yet to be determined. What did I learn? When speaking a simple, declarative sentence is unmanageable, I should stay away from paint brushes.

Who is the SpokesArtist?

I am the SpokesArtist for my own art enterprises, each of which is dedicated to making people smile. I have no idea how artists who pour their angst onto their canvases think about liking their own work. 

Six Winter Socks from the Nanoscapes' Archive

After four years of above-zero temperatures, in mid-January 2013 Minnesota plunged to a few days of high temps below zero. To celebrate,  I retrieved Six Winter Socks from the nanoscapes' archive. The tiny original watercolor which was made in 2008, is no longer for sale.

Six Winter Socks

This image is on a postcard at zazzle.com.

Two nanoscapes accepted into Altered Aesthetics' "Straight Trippin'"

The nanoscapes Fractured Glass 3 and All the Colors and Paths #1 were juried into Altered Aesthetics' 2013 "Straight Trippin'" Exhibition which will run from February 28 to March 28, 2013 at the gallery which is in the Q'arma Building at 1224 Quincy Street NW, Minneapolis, MN 55413 in the Northeast Minneapolis Artist District. 

Wild Triangles

Fractured Glass 3 is part of a series of watercolor paintings that answers the creative question "What happens when triangles go wild?"

I make these with my five-part Painstaking Exuberance process: (1) make a pencil drawing, (2) outline each shape with Winsor & Newton Davy's Gray, (3) paint inside the lines, (4) paint an outline for each triangle with a contrasting watercolor, and (5) paint a border for the entire piece. The paintings don't really come to life until I paint the outlines for each tiny triangle.

I have also used the triangles in a some of the whimsical creatures (small friends) in the Stained Glass Family, which includes Sarah Stained Glass Cat, The Stained Glass Elephant, Hernando Stained Glass Hippo,  Amelia Tall Glazed Window Cat, a Green Stained Glass Camel, and one of  the 7 Hippos Marching.

Fractured Glass 3 (22x33) Framed  $800

Bright Boxes

All the Colors and Paths is part of a series loosely called Bright Boxes which celebrate the depth of color achievable with watercolor while challenging space and perspective. I like to think that I am painting in two-and-a-half dimensions. Most (including this one) were painted on 300# paper which is like painting on felt or a very welcoming sponge.

All the Colors and Paths #1 (13x23) $350

Altered Aesthetics Gallery is at 1224 Quincy Street NW, Minneapolis, MN 55413 in the Q'arma Building in Minneapolis' Northeast Minneapolis Artist District. 

Puzzle Maker's Choice: jigsaw, tile saw or paint brush?

Puzzle Pieces Work in Progress

I understand the addictive quality of working out a jigsaw puzzle, and have myself uttered the plaintive cry "Just one more!" when my parents were trying to call me to dinner or send me to bed.

There are no jigsaw puzzles in my house today: Too much space is devoted to painting, and Max the Kitten, who has already walked into wet gesso and spilled water onto a nearly-finished painting, would be drawn to puzzle pieces like a moth to a flame.

Having a "no puzzle policy" hasn't kept me from making puzzles, though. Typical puzzle maker's tools are either jig saws or (for the really ambitious) tile saws, however, my puzzle-making tool is a paint brush.

This work-in-progress puzzle is made with a 6H pencil and a Raphael Martora Sable #0 brush that I bought at Wet Paint in Saint Paul, MN.

Further reading: 11 Reasons To Do Jigsaw Puzzles

Flying Crystals for December 2012

What started as a random pencil drawing became a series of chances to challenge space and gravity. Each Flying Crystal is painted on 12(w) x 9 (h) 140# Arches Hot Press Paper. 

The five original Flying Crystals will be for sale ($50 each) this weekend at the Vine Arts Center Holiday Sale, and Flying Crystal images are available as prints and postcards at zazzle. If you can't make it to Vine Arts this weekend, contact me directly to purchase originals or to commission one in a size that works for you or in your favorite color..

Green Flying Crystal

Red Flying Crystal

Ultramarine Blue Flying Crystal

Turquoise Flying Crystal

Purple Flying Crystal