Showing posts with label nanoscapes. Show all posts
Showing posts with label nanoscapes. Show all posts

Sunday, March 10, 2013

Taking a Break with Two Palm Trees

As I gear up to start a big painting of an as-yet-unknown subject, and continue to work on the (now) 50 Wild Parrots of Saint Paul Project, I took a break on Saturday to paint two tiny (5x5) palm tree paintings.

Palm Tree One (2013. 5x5 inches. $30)
Up North #3 (2008. Not for sale)
Although they reference some of my earliest nanoscapes' landscapes, I made these to play with granulation to give the sand under the palms some texture with paint, and to practice the traditional wet-in-wet watercolor technique in the leaves and sky.

Wet-in-wet is exactly what it sounds like: wet paint dropped onto wet paper. 

I made controlled puddles, and then dropped in a color or colors that I manipulated ever so slightly. Too much manipulation makes dull, muddled color. 

To purchase either of these paintings, please send direct email to susangainen@comcast.net and I will bill you through PayPal.  Thank you.

Palm Tree Two (2013. 5x5 inches. $30)

 

Thursday, January 24, 2013

Two nanoscapes accepted into Altered Aesthetics' "Straight Trippin'"

The nanoscapes Fractured Glass 3 and All the Colors and Paths #1 were juried into Altered Aesthetics' 2013 "Straight Trippin'" Exhibition which will run from February 28 to March 28, 2013 at the gallery which is in the Q'arma Building at 1224 Quincy Street NW, Minneapolis, MN 55413 in the Northeast Minneapolis Artist District. 

Wild Triangles

Fractured Glass 3 is part of a series of watercolor paintings that answers the creative question "What happens when triangles go wild?"

I make these with my five-part Painstaking Exuberance process: (1) make a pencil drawing, (2) outline each shape with Winsor & Newton Davy's Gray, (3) paint inside the lines, (4) paint an outline for each triangle with a contrasting watercolor, and (5) paint a border for the entire piece. The paintings don't really come to life until I paint the outlines for each tiny triangle.

I have also used the triangles in a some of the whimsical creatures (small friends) in the Stained Glass Family, which includes Sarah Stained Glass Cat, The Stained Glass Elephant, Hernando Stained Glass Hippo,  Amelia Tall Glazed Window Cat, a Green Stained Glass Camel, and one of  the 7 Hippos Marching.
Fractured Glass 3 (22x33) Framed  $800

Bright Boxes

All the Colors and Paths is part of a series loosely called Bright Boxes which celebrate the depth of color achievable with watercolor while challenging space and perspective. I like to think that I am painting in two-and-a-half dimensions. Most (including this one) were painted on 300# paper which is like painting on felt or a very welcoming sponge.
All the Colors and Paths #1 (13x23) $350
Altered Aesthetics Gallery is at 1224 Quincy Street NW, Minneapolis, MN 55413 in the Q'arma Building in Minneapolis' Northeast Minneapolis Artist District. 

Wednesday, October 3, 2012

Image-a-day other visions geometric magic (and a challenge)

Although I do this everyday, taking a tiny watercolor painting and creating digital magic continues to astound me.

Using Photoshop, I scanned in Puzzle Pieces #1. After posterizing it (more Photoshop magic), I created #2 and #3 by copying and flipping the image horizontally and vertically. I take great care to line up the flipped images each time because each new image builds on the previous one. Once the lines are off, I have to start all over again.

Then, the fun begins. Once a pattern is set, then I get to use Photoshop's magical tools.


Red Puzzle Pieces.
Green Puzzle Pieces
Blue Puzzle Pieces
Puzzle Pieces Invert Two
Puzzle Pieces Invert One
Puzzle Pieces One














Image-a-day and the OTHER VISIONS challenge

With nearly 300 images, the collection of digital "other visions" will comprise the the bulk of my 2012 Image-a-Day project when it is complete. I welcome suggestions for organizing and cataloging these images. 

Prizes!

The prizes: an "other vision" poster in your choice of design for the two best suggestions. Deadline: October 22, 2012.

Where are OTHER VISIONS now?

Some are at the nanoscapes website under "other visions." A small number of the designs are on products at zazzle.com, and others are on fabric and soon on wallpaper at spoonflower. Find a Puzzle Pieces Postcard at zazzle.com now.

Because I post each day, my Facebook and Pinterest friends can see all of the images in date-of-posting order.  

Beginning on October 25, 2012, "other visions" designs will begin a limited rotation on this website. I have defined three categories: fabric, tiles and stained glass, and wallpaper.

Wednesday, May 9, 2012

The Sail #1 is a winner

The Sail #1
May 9, 2012.
THE SAIL #1
is a nanoscape from 2011 with a brand new story. It 
 was named a winner in Manhattan Arts International's "Celebrate the Healing Power of Art: Positive Art That Lifts The Spirit" online juried exhibition.
WHAT THE JURORS LOOKED FOR  According to the press release, the jurors “…looked for those images that impacted us viscerally in a positive manner as well as exemplifying technical prowess and originality.”  The online exhibition runs from May 14- June 30, 2012. 

SIZE AND INSPIRATION 
This 27-1/2 x 9 inch geometric abstract image was inspired by an African textile called "Ikat," which I love because of their bright colors and intricate weaving. When finished, though, a friend suggested that it might be a sail. Then, I wished for a ride on a very big boat (ship) which might attach this to its mast.
AVAILABILITY 
The original is framed in black and is available through this site at $350. Signed and matted prints are available at the nanoscapes site for $125/each. Look for a skateboard with this design in my zazzle store.

Thursday, March 1, 2012

Public Policy 2: what links the folks who do the work?

(nanoscape) Public Policy 2
What is public policy?  It has been defined as an attempt by government to institute law, regulations, decisions or actions pertinent to a problem at hand.

Policy work is done outside of government, too. Employees of non-profits and NGOs work just as hard as government employees on policy  issues. Huge swaths of corporations now have in-house corporate social responsibility positions.

What are its parts? Every public policy question presents (1) a collection of critical and subsidiary issues as interpreted by political and non-political leaders coupled with (2) multiple approaches to devising solutions from experts in a variety of technical disciplines. Will many of the offices and organizations have conflicting agendas and wildly conflicting goals? Of course.

Each policy question is viewed through its history as seen through many lenses, the emotion of today's news, and a necessarily hazy vision of the future. Every approach to solving a 21st century policy question suffers from an insufficient budget-from-hell.

Who does the work? The people who work on public policy issues are connected to one another across local, state, and national boundaries because of their strong (perhaps obsessive) commitment to solving a problem. They bring energy and enthusiasm, technical skills and experience, good faith, visions with a variety of clarity, and their absolute determination to make a difference.

Their collective commitment Although the participants and factions often disagree enthusiastically, what links the strengths of each participant is the collective commitment to identify and solve the problem.

The silver bar at the center of Public Policy 2 represents the commitment that connects all of the actors in this important part of public life..

Public Policy 2 is an original 5x3 inch watercolor and it is not for sale.

Sunday, February 26, 2012

Image-a-day 2012: daily digital nanoscapes

Now that the distraction-turned-direction has become folded into my image-a-day commitment, I find myself making small watercolors paintings with an eye toward how they might looked multiplied and flipped horizontally and vertically, in addition to what might I might make happen to their colors under the flying finger of Photoshop.

What else? Each of these designs could be cut and painted tiles, quilt tops, or stained glass. Some could be effective needlepoint designs, although the diagonals might be tricky. Not for me, thank you. I have abandoned the idea of glass and tile because of the safety equipment requirement, and I have made just one pieced quilt which left me in awe of every quilt artist on earth. I  painted some nanoscapes-inspired needlepoint canvas which was challenging and not as much fun as I thought it should have been. Thus, I am left to paint, which I do every single day.

What happened to the pinterest posting?  I had been posting daily to pinterest, but when I read this post, I cancelled the account. Having been reassured by two people who are wise in the ways of these things, I requested another pinterest account, and the image-a-day images will go back up as soon as I am re-activated.

When can I buy these images? Watch for an announcement in mid-March.

Images from this week:

Tropical Tile

Blue Dots
Wild tiles

Raleigh Blue 2
Pink Tile



Wednesday, February 22, 2012

nanoscapes: defining other visions

The true, actual, and legally registered corporate name for nanoscapes is "nanoscapes & other visions, llc." Having taken tiny watercolor painted nanoscapes postcards to a new world with Photoshop, I have a better sense of what "other visions" means.

Each image created out of a 300 dpi scanned painted post card. I am committed to this 2012 Image-a-Day project and to posting these images to Facebook and to pinterest. What else will they become? Stay tuned.

Blue Dot

Green Glaze

Multi-glaze

Square

Purple Roller Coaster

Blue Tiles

Dancing Ribbon

Monday, February 20, 2012

Image-a-day: a new digital nanoscapes' direction

What started as a distraction has become a new direction for digital nanoscapes, and they are part of my 2012 Image-a-Day project.
Blue Tiles

Nanoscapes began as post-card sized paintings because "tiny" was my comfort zone. When a pal said "I love your work, but I can't hang a post card behind my sofa," I took the hint and made larger paintings. My new comfort zone became 22x33 inches.

The return of small nanoscapes
The original "Net"
But the small paintings and post cards came back, because I love to experiment, I must paint every day, and their size makes them convenient for a traveler.

Through my consulting business, Pass the Baton, I often speak at law schools around the country. Two years ago, I would carry a 12x16 Arches Hot Press watercolor block and a six pallets with 100+ colors. No more. I take three or four tubes of watercolors, a post card block, a 6H pencil, a ruler, an eraser, and a pencil sharpener. Everything goes through security and the whole kit may weigh one pound.

Painting in hotel rooms
With the best lighting in many hotel rooms in the bathroom, I never hesitate to ask for better light for painting. Kind concierge staff members have delivered new light bulbs and, sometimes, multiple lamps to make my rooms workable for a painter. The collateral benefit comfortable bed-time reading. All too often, bedside table lamps give off barely enough light to barely see the alarm clock.

How are these digital nanoscapes made?
I scan a small painting and then experiment the wonderful toys in Photoshop adjusting color and hue, saturation and more. The magic in these new digital nanoscapes comes from horizontal and vertical flipping which, as you will see, makes a combination with a center, giving new life and more energy than the original.

#1
#2


#3
#4
 This painting, originally titled "The Net," is now the image of mosaic tile work that I would do if it didn't require safety equipment for tile cutting. When I turned 60, I decided that I should avoid all activity requiring either safety equipment or liability waivers. No skydiving, no bungee jumping, and no glass work.  

Just painting.

Saturday, February 18, 2012

Public Policy: an inspired nanoscape

Public Policy
When I look at other artists' work and try to understand their explanations, I always wonder: What came first, the art or the inspiration? Were you inspired by a deep thought or a tall tree? Was it a color? A new brush? Are you trying to change the world or are you trying to make a tiny bit of it look better? Do you intend to create a contemplative space or are you trying to engage or enrage?

While I often start with colors or shapes, with "Public Policy" I began with a story. Not my story, but a long and complicated story. I have a friend who is a social sciences public policy researcher, and prominently on her plate is a project about the problems of aging and how it will affect the county that she serves.

Aging? Really. People get old, get sick, and they die. If they are lucky, their kids don't start World War III by fighting over their stuff. What could be so complicated about that? I listened to her stories about the challenges she and her colleagues have just outlined for her county's leadership, and was struck by how everything links with everything else. Count (some of ) the ways: 

Boomers will not retire in a tsunami: they are a slow-moving iceberg with a short front and a gigantic back end. My friend used this as an organizing principle for her presentation to her county's leadership. Knowing that the largest group of Boomers is as young as 46, gives everyone time to consider the issues around aging and to begin to plan. Time to get started!

Public Revenues and Taxes: Older people spend less, so sales tax revenue goes down. They earn less, so income tax revenue declines. Their property taxes generally stay level, notwithstanding the decline in property values. Government entities need to plan for a revised revenue stream.

In-Home Services: Boomers will probably want to "age in place," which means staying in their homes as long as possible. In-home medical services and personal care attendants will be needed by the thousands. Who will train them? Who will pay them? Who will supervise and monitor the care? Prosecutors report a startling increase in elder abuse by care-givers. This really matters.

Hospital Care: Optimistically assuming that you can pay for your healthcare either with public or private insurance, who will be there to speak for you when you are incoherent either from a specific medical condition or from dementia? Your children may be thousands of miles away, or you may have no children. A "Patient Advocate," a new health care job which links the patient, the family (if there is one), and the medical team will be an excellent resource. Where will these people come from? Who will train and certify them? Who or what will pay them?

Transportation (cars): As people age, their transportation needs and their ability to drive safely changes. How will you get to the doctor if you no longer drive? Who will do your grocery shopping? How will you be able to engage with friends and neighbors if you are housebound? Critically in Minnesota, how will you get the driveway shoveled out so that someone (not you, perhaps) can get to your car?

Transportation (public): If you have lived in a distant suburb all of your life, you have insulated yourself from public transportation. When you are reasonably mobile but can no longer drive, the fact that there is limited or no bus service to your neighborhood may rankle. Who are you going to look to for a solution to your new transportation problem?

Public Health & Safety: How do you plan for epidemics, pandemics, and evacuation when a significant portion of the population is not individually mobile?

Environment: Older people take a lot of medication which goes into the waste stream. When older people become incontinent, they use adult diapers. Most of the Baby Boomers were born before disposable diapers became the norm. They will have access to adult diapers, and these larger diapers will make a huge contribution to the waste stream.

Education: Just as important as providing for an aging population is the critical need to assure that the youngest citizens are getting appropriate and useful education. We no longer run one-room school houses where students were lucky if they each had a pencil and a tiny chalkboard. Education is a complicated and expensive operation with its own teaching, staffing, training, transportation, environmental, and public safety concerns. It is not a one-time expense.

Managing expectations for the next generations. Compared with Boomers and Millenials, there are realtively few Gen-Xers, but the Xers are waiting (often not patiently) for the Boomers to leave the stage. But with lagging-edge Boomers as young as 46, the generation shift may be a long time coming. Keeping eager Xers and Millennials engaged with their work will be a challenge.

This is just part of the growing list of policies relating to the issues and challenges of aging. The links between and among these problems inspired "Public Policy." 

Sunday, January 1, 2012

2012: an image a day from nanoscapes & small friends

IMAGE-A- DAY
January 1, 2012 from a camera photo
of "7 Hippos Marching"
I posted an image a day to Facebook from October 2010 to September 2011, and it's time to start again.

Image-a-Day 2010-2011
Those images were thematic and either related to specific months (pumpkins for October, leaves for November, lost-left-handed gloves of January, raindrops for April, ears of corn for July, pencils for September), or joyfully random (introducing the LLLama family in May and 30 new small friends in June).

Because both nanoscapes' geometric abstractions and whimsical small friends will be part of this project, the theme for 2012 will be "surprise!"  This first image is part of a 7-hippo family portrait which will join the small friends website next week.

Tuesday, December 27, 2011

Two elephants run into a studio

It's not everyday that two large elephants come running into a painter's studio. 

As the painter, curator, and wrangler of the nanoscapes small friends, I am not quite surprised, faintly astonished, and completely grateful. During the next few days, while they tell me their stories, I will paint the Stained Glass and a Glass Bubbles Elephants. In a perfect world, they be finished December 31, making them my 109th and 110th paintings of 2011. 

Each elephant is painted on 300# Arches paper, and is 15 inches wide by 8 inches high.

Stained Glass Running Elephant
Glass Bubbles Running Elephant
        

Tuesday, December 6, 2011

New art in 5 days: nanoscapes neighborhoods

Welcome to nanoscapes neighborhoods, an original watercolor which I painted in five days. It was an extraordinary pleasure to draw and paint tiny details which, when finished, have movement and energy, depth, and almost three dimensions.


.
nanoscapes neighborhoods
Day 1 - Davy's Gray Outline 

5 days later
nanoscapes neighborhoods
December 6, 2011
7-15/16" x  4-3/4"
$250 - unframed


Click here to see the previous days' work.

Monday, December 5, 2011

3 days in the life of nanoscapes "neighborhoods"


nanoscapes neighborhoods
Davy's Gray outline

3 days in the life of nanoscapes neighborhoods: the 101st nanoscape for 2011 is close to being finished. One more day, perhaps?

neighborhoods is painted on 140# hot press Arches paper, and it is 7.9 x 4.5 inches. Every tiny tile is painted and outlined one-at-a-time, and my new favorite sable brush, Raphael Martora 2/0 is getting a workout.

nanoscapes neighborhoods
December 3, 2011
nanoscapes neighborhoods
December 4, 2011

nanoscapes neighborhoods
December 5, 2011

Friday, December 2, 2011

Celebrate 100 nanoscapes and paint your own

nanoscapes neighborhoods 2011
a downloadable nanoscape for you to paint

It's official. During the first 11 months of 2011, I painted 100 nanoscapes and small friends. They aren't all published and they aren't all shared, but they are all finished.Click on the link to see the list.

To celebrate, I invite you download this image and make your own nanoscape using your favorite paint, ink, or colored pencil. Ambitious fiber artists -- make a nano quilt. 3-D artists -- build the village.

This image is called "nanoscapes neighborhoods 2011" and to my mind it is a series of rooftops. 

The original image is 7.9 x 4.5 inches. At 300 dpi, you have an almost unlimited range of sizes that you might print. Get the best quality watercolor paper, print, and paint! Find your favorite fibers and quilt! Woodworkers, ceramicists, and metal workers -- build the village!

Wednesday, November 16, 2011

Still Point Gallery selects two nanoscapes & a small friend for new exhibition


Purple Glaze: A triptich
The Still Point Gallery selected two nanoscapes and one small friend for The Abstraction Distraction, an online exhibition that runs from 11/16/2011 to 2/14/2012.
Trilobite Four by Five
Theresa & Tommy Trilobite










Each piece is part of the new digital family of nanoscapes and small friends. Balloon and Purple Glaze are nanoscapes, and Trilobite Four By Five, is the portrait of small friends Theresa and Tommy Trilobite

Balloon
PHOTOSHOP IS MAGIC  Having found that the magic I see in watercolors can be multiplied when manipulated in Photoshop, I have the privilege of learning something new and surprising everyday. 

  • New vocabulary with new meanings for words that I already know: brightness, contrast, levels, curves, exposures, vibrance, hue, saturation, color balance, posterize, invert, and on and on.
  • The joy of experimentation. What happens if I posterize! and then invert! and then work through the image choices, one after the other? Sometimes the result is beautiful; other times, I am glad to be able to revert to the original.  

AVAILABILITY:


  • Trilobite Four By Five: Theresa and Tommy's portrait is available in a signed limited edition of 20. Each 20x17.9 portrait will be printed on archival paper and signed. 
  • Balloon: The Balloon is available in a signed limited edition of 5 (20x20) for $75 and 5 (10x10) for $50. (click on the link and then on "thumbnails)
  • Purple Glaze: A triptych is a part of "The Glazes," a series of geometric abstractions that allows me to celebrate my life-long love of stained glass with paint and paper, thus avoiding the need for safety equipment. Each 20x13 inch print of Purple Glaze is part of a Limited Edition of 50, signed and printed on archival paper with museum matting.  $75 each. (click on the link and then on "thumbnails."  

ENJOY these works and all of the beautiful pieces in The Abstraction Distraction!!

Saturday, November 12, 2011

Chain Links: a new nano-D

Chain Link 2011
I have a worktable which has been a bad storage solution for so long that I feared what might turn up after excavation. Recycling an old tv, which took up a third of the tabletop, opened the door for a Domestic Archaeological Expedition.

I found long-forgotten treasures.

Among them was "Chain Link Fence," an original postcard painting from 2006. Cropped, copied, flipped, reversed, and inverted, it is magic for the morning.

It is part of a group of nanoscapes called nano-D, for work created at the intersection of geometric abstract watercolors and the magic of the technology of Photoshop.

Signed Limited Edition of 20. Chain Link 2011: 10w x 7h. Archival matt. $75. 
Available through the nanoscapes website under nano-D in Portfolio.

Sunday, October 23, 2011

Inspiration: a beautiful balustrade

Interior stairwell
Comfort Suites
Atlanta Downtown
Convention Center
Eyes wide open, I wandered past the elevator on the lobby level of the Comfort Suites Atlanta Downtown Convention Center, and saw a beautiful marble stairway with an elegant balustrade. Photo op. Inspiration piece.

Interior stairwell
Comfort Suites
Atlanta Downtown
Convention Center
Google was completely unhelpful in my search for the history of this building, which was converted, redesigned, refurbished for either Comfort Suites or a previous owner. I'd be curious to know more...

Thanks to Vickie Brown, Ray English, and Marvette Colbert, the wonderful and talented staff at the career office at Georgia State University College of Law for inviting me to speak to part-time students on "2nd Career Law Students" and for selecting this hotel with its inspiration pieces.